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- The clarinet concerto
- Opera seria: a beginner's guide
- The lure of the exotic: northern Africa in classical music
- Beethoven's 'lesser' symphonies
- The bassoon concerto
- In Memory of David Watkin
- The flute concerto
- Not quite a symphony: the sinfonietta, divertimento and serenade
- Tea Dance concert: an interview with Kenny Moffat
- Joseph Joachim and the great German violin concertos
- Beethoven and C minor
- 2025/26 Season highlights
- What is a sinfonia concertante?
- The SCO Chorus on music for Lent
- Digital Season: Gipps Seascape
- The tortured tale of Schumann's Violin Concerto
- The double bass concerto
- Musical folk tales
- SCO announces Summer Tour 2025
- Once upon a time: music with a narrative
- RCS Students Help Build the Magical World of The Gaboon!
- Visions of the afterlife: the Requiem Mass
- The oboe concerto
- Making a splash: water music beyond Handel
- The Great Grumpy Gaboon: a chat with Jay Capperauld and Corrina Campbell
- Read and Draw The Great Grumpy Gaboon
- The trumpet concerto
- The violin concerto
- Rachel Podger: "I'm especially fond of the Polonaise in the First Brandenburg Concerto"
- SCO players in the spotlight: solo recordings
- Farewell to Nikita!
- The waltz goes international
- The story behind Silent Night and other carols
- Digital Season: Andrea Tarrodi Serenade in Seven Colours
- The search for Beethoven's successor
- Schubert's Unfinished and other incomplete works
- Why is there so little classical Christmas music?
- Digital Season: Samuel Coleridge-Taylor Novelletten
- Not just Eurovision: an introduction to Swedish music
- Ryan Bancroft: "a conversation with the leader of a Finnish orchestra changed how I heard Sibelius"
- The viola concerto
- Pulcinella and the dangers of (mis)attribution
- The first Black composers
- Mozart and the Weber sisters
- The cello concerto
- The reappraisal of Così fan tutte
- Spanish music by French composers
- UN:TITLED programme
- Beethoven's Seventh: the apotheosis of the dance?
- The resurrection of the string orchestra
- Lili Boulanger et les autres: female French composers
- Soundbox: an interview with Jay Capperauld
- His Majesty King Charles III renews his Patronage of the Scottish Chamber Orchestra
- Heavenly realms
- New Dimensions: A new series exploring new sound worlds
- Andrew Manze Appointed SCO Principal Guest Conductor
- Music for Everyone in 2024/25
- La numérotation des symphonies
- Die Nummerierung von Sinfonien
- Mendelssohn and the Bach revival
- Andrew Manze: "A Principal Guest Conductor should complement the work of the Chief"
- Musical jokes, from satire to April Fools
- Ravel and the art of orchestration
- Scandinavian myths in music
- Beethoven and the Eroica theme
- Sir James MacMillan: "there is great power in Scottish traditional music"
- Two centuries of musical sunrises
- Helen Grime: "I wanted to set poems about Joy"
- Ale Carr: "The Four Seasons mostly consists of a good collection of folk tunes"
- Folk Hero Joins Time and Tides Programme
- Wind instruments in chamber music
- Arrangements, (re)orchestrations and transcriptions: a bluffer's guide
- The Prix de Rome: a double-edged sword
- SCO at 50: A sensational playlist for half a century
- SCO at 50: your memories
- SCO Chief Executive, Gavin Reid, honoured in The King’s New Year Honours List
- Haydn's symphonies and their nicknames
- Double concertos
- Figaro beyond Mozart (and Rossini)
- An introduction to Janissary music
- How the waltz conquered the world
- The SCO Chorus' favourite Christmas music
- Vaughan Williams and the revival of English music
- Gregory Batsleer: "Schubert's Mass in A-flat is a real hidden gem"
- Steve Reich + programme notes
- The (mis)numbering of symphonies
- Benjamin Grosvenor on Mendelssohn's piano music: "the first concerto is a fine example of his effortless craftsmanship"
- Dementia-Friendly Concert programme
- The re-emergence of Czech music
- New for 2023/24: matinee concerts
- Thea Musgrave: "I will never not be Scottish"
- Colin Currie: "getting to work with the SCO for many years now has been absolutely brilliant"
- Errollyn Wallen: "anyone from anywhere can be a composer"
- Mozart and Prague
- Sally Beamish: "I enjoy waiting to see what pops up next"
- The Origin of Colour
- Richard Egarr on Bach's "sacred monument for mankind"
- Napoleon and the Eroica
- Joanna Baker CBE appointed as Chair of the SCO
- The Chimpanzees of Happy Town: "Chutney is a bit of a Bob Dylan character"
- Play Your Part in the SCO's Future
- SCO soloists at the Edinburgh Festival Fringe
- The Honours of Scotland
- Young composers on the cusp of greatness
- Italian composers in Spain
- Maxim's Schubert Matinee
- Applications are now open for our 2023 Young Singers' Programme
- Maxim: 5 More Years
- Maxim's 'Eroica' - A Grand Tour of Scotland
- Announcing our 50th Anniversary Season
- A history of the viola concerto, from Telemann to Miller
- Mark Wigglesworth on Beethoven's Fifth
- BBC Young Musicians and the SCO
- Chloé van Soeterstède on Emilie Mayer
- Rock musicians and classical music: a brief history
- Handel (and others): music for coronations
- Allan Clayton: "Britten is always specific in his writing"
- Sam Amidon: "music is listening, connecting with each other"
- The Kreutzer Sonata, from Beethoven to Janáček
- Nokuthula Ngwenyama: a short introduction
- Beyond the Dream: Shakespeare and the Romantics
- Brahms's Chamber Passions: the art of musical conversation
- Aylen Pritchin: "you should not forget the human side of Brahms' concerto"
- Commissioning Mozart: a cautionary tale
- Exciting news about Edinburgh's new concert hall!
- Chris Stout & Catriona McKay's Möder Dy
- Sally Beamish's Seavaigers: an introduction
- André, Marta and Maxi: "the main difference is the speed at which we work"
- André, Marta y Maxi: "la diferencia principal es la rapidez con la que se trabaja"
- Chris Stout and Catriona McKay: "it's a blessing to embody all that the music gives us"
- Louise Farrenc: feminist by necessity
- All that jazz: the music of Les Six
- The Heart of Night: an interview with Anna Clyne and Greg Batsleer
- The (remarkably small) world of musical signatures
- A potted history of the New Year's Day Concert
- Soundbox: a conversation between Laura Baxter and Jay Capperauld
- The Scottish Symphony and beyond
- Mozart's last piano concerto: why is it underrated?
- Peter Whelan: poacher turned gamekeeper?
- Israel in Egypt (according to the SCO Chorus)
- Grażyna Bacewicz: a quietly radical composer
- Eleanor Alberga's Nightscape - a Jamaican serenade
- Alban Gerhardt: "the composer is the creator, I am just his servant"
- Maxim's Baroque Inspirations: weird and wonderful instruments
- Schumann's symphonies: a case of belated recognition
- The inspirational life of trail-blazing composer Florence Price
- A Boundary-defying Musical Adventure
- Anthony Marwood – The Musicians’ Musician
- Nicola Benedetti and the SCO
- Haydn's Creation: an 18th century masterpiece
- Chamber music recitals with the SCO
- Statement from the SCO and our Principal Conductor Maxim Emelyanychev
- Through the eyes of....Brogan Orkney
- Keeping You Entertained This Festive Season
- MY LIGHT SHINES ON | BEETHOVEN PIANO CONCERTO NO 2
- LISTEN LIVE TO OUR LATEST CONCERTS IN YOUR LIVING ROOM!
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