We complete our survey of the concerto for stringed instruments with the double bass. It's not just about jazz!

We've reached the violin in our series on the concerto, and there's no end of them! (You might want to pour yourself a cup of tea for this.)

We look at some of the many depictions of Heaven in the Christian choral tradition.

Pour marquer le concert de l'Orchestre à la Halle aux Grains, le 21 mai, nous nous penchons sur une question parfois épineuse ...

Anlässlich unserer Konzerte in Würzburg (am 26. und 27. Mai), werfen wir einen Blick auf eine knifflige Frage ...

What makes Ravel such a great orchestrator?

What drew Beethoven to return to the same theme four times over?

Is there any real difference between these terms?

If the Eroica was originally entitled the Bonaparte, what does the music tell us about Beethoven's view of Napoleon?