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List of News Articles

  1. The SCO Chorus and Orchestra confucted by Maxim.

    The SCO Chorus' favourite masses

    30 March 2026

    How to choose among the hundreds of masses that have been written over the centuries? Let the SCO Chorus be your guide ...
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  2. The SCO Chorus on music for Lent

    29 March 2026

    With Easter just around the corner, we delve into perhaps the richest (and often darkest) choral repertoire of all ...
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  3. The viola comes out of the shadows

    23 March 2026

    How two British violists brought the instrument into the spotlight
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  4. Czech composers (beyond Dvořák)

    16 March 2026

    How many others can you name?
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  5. Francesca sits on a bench with a red brick wall behind her. She holds her viola and wears a black top and black trousers.

    Quickfire Questions with Francesca Gilbert

    9 March 2026

    Get to know the Orchestra's newest violist!
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  6. Roderick Williams: "The Language of Eden is a lyrical piece full of beautiful textures"

    23 February 2026

    Ahead of his return to the SCO in March, we spoke to Roderick Williams about his wide-ranging career.
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  7. Dreamers' Circus: "we've never really worried too much about genre"

    16 February 2026

    Classical and folk meet in our concerts with Dreamers' Circus, so who better to talk us through how it happens?
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  8. The 2026 SCO Summer Tour is on sale!

    13 February 2026

    Looking for an excuse to explore Scotland this summer? See if you can catch the Orchestra on the road!
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  9. Digital Season: Bruckner's Skull

    12 February 2026

    Read the programme note for our online performance of Jay Capperauld's Bruckner's Skull.
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  10. The great Beethoven symphonies

    9 February 2026

    In which we bite the bullet and look at four unmissable works
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  11. Wrongfully marginalised: a history of women composers

    2 February 2026

    To celebrate International Women's Day, we look at the changing fortunes of women composers over the centuries.
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  12. Beethoven's 'lesser' symphonies

    26 January 2026

    Why are some Beethoven symphonies better-known than others?
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