We've reached the violin in our series on the concerto, and there's no end of them! (You might want to pour yourself a cup of tea for this.)

Schubert is far from the only composer to have put a piece of music aside and leave it unfinished ...

Our examination of the concerto continues with the viola, whose potential as a solo instrument was long unrecognised.

We look at Mozart's close relationship with the children of the Weber family.

In a new series for 2024/25, who better than the SCO players to guide us through the best concertos for their instrument?

Neglected during much of the 19th century, Mozart's Cinderella of an opera is more relevant than ever today.

In anticipation of April Fools' Day, we take a look at some examples of musical tomfoolery.

What makes Ravel such a great orchestrator?

Is there any real difference between these terms?

Concertos for more than a single instrument are a comparative rarity, making their performance something of a treat for everyone.

Why is Mozart's Violin Concerto No 5 known as the Turkish ... and is it warranted?

A tale of mutual appreciation