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A cartoon-like close-up of two hands playing the harpsichord.

Baroque Inspirations

Ayr
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Glasgow
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Programme

  • POULENC

    Concerto Champêtre

  • STRAVINSKY

    Suite, Pulcinella

  • VIVALDI

    Concerto in D minor Op 3 No 11, RV 565 ‘L’Estro Armonico’

  • RAMEAU

    Suite, Les Boréades

Maxim Emelyanychev Conductor / Harpsichord

Join Maxim Emelyanychev on his entertaining annual expedition to rediscover the sumptuous splendours of Baroque music – in the company of more recent composers who have been inspired by it.

Alongside the dazzling virtuosity of Vivaldi’s dynamic D minor Concerto, Maxim delves into theatrical evocations of the roaring wind and dashing hunt in colourful movements from Rameau’s final opera.

Maxim takes to the keyboard himself for the homespun wit and mischief of Poulenc’s ‘rustic’ harpsichord concerto. Stravinsky mined 18th-century Italian manuscripts to concoct his comic tale of love and disguise in Pulcinella – and changed the course of music in the process.

Three pictures: a man leans forward, his elbows on some sheet music; a man with a large belly, wearing a black carnival mask; a caricature sketch of a man in a wig

Pulcinella and the dangers of (mis)attribution

Available to read from 16 September

Stravinsky's ballet Pulcinella is based on music by Pergolesi. Or is it?

Artists

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