This adventurous concert has “memorable” written all over it!
Wayward genius… extraordinary sound… there’s not an inch of formality to Pekka Kuusisto. He is one-of-a-kind - a mesmerising player, with a riveting personality on stage who has earned himself a bit of a maverick reputation. His programme is a sort of musical ‘farewell’ through the last four centuries. The movements of Ravel’s light-hearted, reflective Tombeau de Couperin, themselves written as commemorations to friends of Ravel, dovetail with works written in times of conflict, including Messiaen’s Abyss of the Birds.
Described as “one-of-a-kind” by Toronto’s The Globe and Mail, Finnish violinist and director Pekka Kuusisto is renowned for his fresh approach to the repertoire. Widely recognised for his flair in directing ensembles from the violin, Kuusisto is Artistic Partner with The Saint Paul Chamber Orchestra and Artistic Director of Australian Chamber Orchestra Collective.
Spanish clarinettist, Maximiliano Martin has made his debut as a soloist and chamber musician in many of the world's most prestigious venues including the BBC Proms and Wigmore Hall in London, Library of Congress in Washington, Mozart Hall in Seoul, Laeiszhalle Hamburg in Germany, Durban City Hall in South Africa and Palau de la Música in Barcelona.
Benjamin Marquise Gilmore grew up in England and studied with Natalia Boyarskaya at the Yehudi Menuhin School and Pavel Vernikov at the Vienna Conservatory, as well as with Julian Rachlin, Miriam Fried, and members of the Artis quartet and the Altenberg trio. His father was the musicologist Bob Gilmore, from whom he received instruction in music theory at a young age, and his grandfather is the conductor Lev Markiz, with whom he has performed on many occasions.
Born in Edinburgh, Philip studied with Ruth Beauchamp at St Mary's Music School and subsequently at the RNCM with Emma Ferrand and Ralph Kirshbaum. He also enjoyed mentoring from Steven Isserlis. In 2008 he became the first UK cellist to win 1st Prize in the Bach Leipzig competition, and followed it with major prizes in 2009 Lutoslawski Competitions, and the 2010 Grand Prix Emmanuel Feuermann in Berlin. He was selected for representation by Young Classical Artist Trust, between 2009 and 2014.