Haydn's own story of quiet revolution is overshadowed by the now fabled accounts of his contemporaries Mozart and Beethoven – their tortured artistic struggles, their lives touched by drama and tragedy. Haydn was a natural, hard-working person, who strived to meet the many deadlines for commissions ordered by his patrons.
The Seasons depicts many aspects of rural life through the four seasons of the year. It touches on friendship and love, success and hardship, and reaping the rewards of harvest after manual labour. There are also celebrations of wine and a hunting chorus. The more solemn ‘Ode to Toil’ caused Haydn to remark that, though he had been industrious all his life, he had never before been called upon to write music in praise of industry.
Change of conductor
Principal Conductor Designate Maxim Emelyanychev will replace an indisposed Bernard Labadie to conduct Haydn’s The Seasons. These will be Maxim’s first concerts with the Orchestra since his appointment as Principal Conductor Designate was announced in May. Bernard Labadie has sadly had to withdraw due to minor surgery - More Information
Chorus Director Gregory Batsleer in conversation with Tenor Andrew Staples.
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Principal Conductor Designate Maxim Emelyanychev is an outstanding representative of the younger generation of Russian conductors.
Born in 1988 to a family of musicians, he studied conducting and piano in Nizhny Novgorod and then with Gennady Rozhdestvensky in Moscow Tchaikovsky Conservatory. His prizes include a Gramophone Award 2017, together with Joyce DiDonato and Il Pomo d’Oro, for their album In War & Peace (Warner/Erato).
Born in Staffordshire, Lucy Crowe studied at the Royal Academy of Music. She has established herself as one of the leading lyric sopranos of her generation. Her operatic roles include Adele Die Fledermaus and Servilia La Clemenza di Tito for the Metropolitan Opera, New York; Ismene Mitridate, Eurydice Gluck’s Orphée et Eurydice, Adina l’Elisir d’Amore, Susanna Le Nozze di Figaro, Gilda Rigoletto and Belinda Dido and Aeneas for the Royal Opera House, Covent Garden; the title role in Rodelinda at the Teatro Real Madrid; Donna Elvira Don Giovanni with the Budapest Festival Orchestra in Edinburgh and New York...
Andrew Staples sang as a chorister in St Paul’s Cathedral before winning a Choral Scholarship to King’s College Cambridge, where he gained a degree in Music. He was the first recipient of the RCM Peter Pears Scholarship, sponsored by the Britten Pears Foundation, at the Royal College of Music and subsequently joined the Benjamin Britten International Opera School. He studies with Ryland Davies.
Neal Davies studied at King's College, London and the Royal Academy of Music, and won the Lieder Prize at the 1991 Cardiff Singer of the World Competition. He has appeared with the Oslo Philharmonic Orchestra under Mariss Jansons, BBC Symphony Orchestra under Pierre Boulez, Cleveland and Philharmonia orchestras under Christoph von Dohnányi, Chamber Orchestra of Europe under Nikolaus Harnoncourt, Orchestra of the Age of Enlightenment under Frans Brüggen...
The Scottish Chamber Orchestra Chorus has built a reputation as one of Scotland’s most vibrant and versatile choirs. Widely regarded as one of the finest orchestral choruses in the UK, it celebrated its 25th Anniversary in 2016.