Symphony No 93 (22’)
Cello Concerto in A minor (25’)
Symphony No 3 ‘Scottish’ (40’)

Mozart wrote "He is the father, we are the children…" Haydn, Beethoven and Mendelssohn also venerated and learned from Bach. Not JS Bach: his son Carl Philipp Emanuel. CPE's cello concerto shows why: it takes off thrillingly, like a rocket, but the storm yields to a truly lovely slow movement.

Egarr opens and closes with wonderful symphonies. Mendelssohn’s ‘Scottish’ needs little introduction and while Haydn’s 93rd has no catchy name, a critic at the premiere wrote that it “inspired all of the performers [and] audience with enthusiastic ardour… it gave additional consequence to the SOUL and feelings of every individual present.”




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Richard Egarr
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Richard Egarr brings a joyful sense of adventure and a keen, enquiring mind to all his music-making - whether conducting, directing from the keyboard, giving recitals, playing chamber-music, and indeed talking about music at every opportunity. Music Director of the Academy of Ancient Music since 2006, Egarr is also Associate Artist of the Scottish Chamber Orchestra. He has a flourishing career as a guest conductor with orchestras such as London Symphony, Royal Concertgebouw and Philadelphia Orchestra.

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Philip Higham
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Born in Edinburgh, Philip studied with Ruth Beauchamp at St Mary's Music School and subsequently at the RNCM with Emma Ferrand and Ralph Kirshbaum. He also enjoyed mentoring from Steven Isserlis. In 2008 he became the first UK cellist to win 1st Prize in the Bach Leipzig competition, and followed it with major prizes in 2009 Lutoslawski Competitions, and the 2010 Grand Prix Emmanuel Feuermann in Berlin. He was selected for representation by Young Classical Artist Trust, between 2009 and 2014.

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