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iCompose recording session

Wednesday 11th August 2010 was one of those days which was brilliant in so many ways, and reminded us of why we do what we do.

Let me explain…

In September 2009 SCO Connect launched a brand new composition competition called iCompose  The idea was to write a piece of music inspired by a work of art in the National Galleries of Scotland Online Collection. In May this year we were able to inform nine people that their pieces had won prizes, and four lucky winners won their categories outright. This means that they won the star prize of having their piece professionally recorded by Linn Records at City Halls, Glasgow. On top that they were allowed to come along to see it all happen!

 So, on Wednesday Fergus, Sanna, Andrew and Tom all came to Glasgow to hear their pieces being recorded.

 The ensemble was set up on the stage of the Grand Hall in City Halls, the place where the SCO has recorded many award winning CDs with Linn Records in the past, most recently with the late Sir Charles Mackerras.

iCompose recording session at City Halls

 Fergus McNally’s piece Waves of Doom was recorded first. This composition was inspired by The Storm by William McTaggart

We all gathered in the studio to listen back to the recording, and conductor Richard Lewis sat with Fergus as we listened.

Listening back to the recording

Fergus was then introduced to Phil Hobbs from Linn Records who showed him how to speak to the ensemble from the control room...

Fergus speaks to the ensemble

...and press the red button to record.

Pressing the red button...

Next up was Sanna Honeymoon who won Category B with her piece At Neptune’s Hand, inspired by Bell Rock Lighthouse by Joseph Mallord William Turner.

Sanna in the studio

The last two winners competed in the two adult categories. Andrew Evans won the ‘Unpublished Adults’ category with his composition inspired by a sculpture La Danse by Ossip Zadkine

Andrew hears his piece recorded

and Tom Harrold won the ‘Published Adults’ category with his composition Fast Castle from Above inspired by the painting of the same name by Rev. John Thomson

Tom at the control desk

The SCO musicians played brilliantly, Phil was a technical wizard with the recording equipment, and we can’t wait to hear the finished recordings. These will be streamed online on www.icompose.org from October 2010. If you’re feeling inspired, why not enter iCompose 2011. All the information will be available on the website from September.

 

SCO Wind and Brass Tour Blog - July 2010

Marketing and Communications Officer Sheena Macrae joined the Wind and Brass players in Boat of Garten, Strontian and Tobermory on 22-24 July.

The programme of music was Weber’s Overtures to Euryanthe and Der Freischütz, Haydn’s London Trio, Beethoven’s Rondino, Mendelssohn’s Notturno and Françaix’s Seven Dances from Les Malheurs de Sophie.

Touring with the Orchestra, whether with all 37 musicians or a smaller ensemble like the 13-strong wind and brass group, is always a different experience to our main season of concerts during the winter months.  It’s a real case of multi-tasking – from stage and box office management, to front of house duties and programme and CD selling.

Accompanied by Orchestra Librarian Michael Ferguson, our first stop was in the picturesque village of Boat of Garten, complete with its very own steam train.

Steam train at Boat of Garten

Boat of Garten station

The community hall, opened in 2007, was our venue for the evening, so we quickly got to work setting up before the players arrived and the rehearsal started.

Boat of Garten Community Hall
Boat of Garten Community Hall

Chairs, lights, music stands and even stands to rest instruments on, like bassoons, all had to be carefully put in place. This job would normally be relatively straightforward, with our trusted Stage Manager Ronnie Herd in charge, but on this tour it was down to Michael and myself. It was all the more challenging because these concerts included six different pieces of music, which each call for a different combination of instruments, and therefore require six very different seating configurations.

Seating plan for Beethoven
Michael’s seating plan shows the instrumentation and
set up needed for Beethoven’s Rondino. These plans proved
vital during the performances

The volunteers from the Osprey Music Society, who co-promoted the concert, ran the sell out performance with military precision – right down to the marshalls in high visability vests in the car park!

It was a great start to the tour – and the sun stayed out the entire time. The only thing missing was a glimpse of the red squirrels which we had been told to look out for in the area.

An early start the next day for a long drive to Strontian on the Ardnamurchan peninsula, took us through some stunning scenery.

Laggan Dam
The Laggan Dam

 

Laggan Dam reservoir
And reservoir

The journey included a ten minute sail on the Corran ferry across Loch Linnhe to Ardgour, and Michael and I managed a bit of celebrity spotting on the way, as author Alexander McCall Smith was also onboard.

Corran Ferry
All aboard the Corran Ferry

The Sunart Centre in Strontian, our venue for the second performance, is a multi-purpose site, which is also home to Ardnamurchan High School and Library. Thankfully it was well sign-posted, as it is right on the edge of Strontian. One of the claims to fame of the village is that it gave its name to the chemical element Strontium, as visitors were told as they passed the village sign!

Road to Ardnamurchan

 

Ardnamurchan High School
Ardnamurchan High School, Library and the Sunart Centre

Unlike the full orchestra or the SCO Strings, the Wind and Brass ensemble perform without a leader or conductor. The players agreed that trust is paramount in this situation, but they also know instinctively who to follow. Therefore the leader in each piece is usually the one who has most to play, so rehearsals are very important.

Alison, Peter and Lis rehearse
Flautists Alison Mitchell and Lis Dooner and bassoonist Peter
Whelan rehearse Haydn's London Trio
...

Wind rehearsal in Strontian
...before the other players joined them to rehearse in
Strontian's Sunart Centre.

The warm welcome from the audience was appreciated and the players were delighted that a familiar face was in the crowd.  Former clarinet player Ruth Ellis supported her old colleagues and was kind enough to entertain us all after the concert – while we watched the sun set over Loch Sunart.

Loch Sunart
Loch Sunart

Sadly the good weather didn’t last, and the skies opened for our journey to the Mull ferry. We had been warned that the road from Strontian to Kilchoan was a little twisty, but even we weren’t prepared for just how narrow a stretch of road it was.

But we made it, and took the ferry across to Tobermory for our final performance.

View across to Mull
The view across to Mull

Aros Hall
The Aros Hall

The Aros Hall, right in the middle of the Main Street, initially provided a few technical problems, ie. an electrical fault, but thanks to the quick thinking of the volunteers from the hall all was not lost!

And the staff from the An Tobar arts venue pulled out all the stops to help make the concert a real success. The audience who packed into the hall didn’t even seem to mind about the over sensitive fire alarm which went off during the interval. Thankfully it was a false alarm.

A happy tour indeed, with great music, lovely audiences and venue staff and unrivalled scenery!

Tobermory
Tobermory

Photos © Sheena Macrae

Highland touring with the SCO

The SCO toured Strathpeffer, Thurso and Kingussie from 8 – 10 July, continuing to the Herrenchiemsee Festival in Bavaria on 17 July. Alexander Janiczek directed the Orchestra from the violin for a programme of Beethoven’s Scenes from Prometheus, Hartmann’s Violin Concerto and Mozart’s Symphony No 41 ‘Jupiter’.

Sijie Chen
Sijie ‘Susie’ Chen, First Violin, blogs about her first tour with the SCO - she was so moved by her touring experience that she wrote a poem. (Photo © Paul Hampton)

My very first SCO tour

Was certainly not a bore.

There were many sights that I saw

On my way to the Highlands…

 

The chocolate shop, Maya, was not dealing,

So we came back on Saturday for some healing.

The hotel lift had tartan carpet up to the ceiling

In Strathpepper, no, Strathpfeffer, no, Strathpeffer!

 

Strathpeffer Pavilion
The view from Strathpeffer Pavilion

 

Strathpeffer rehearsal
Rehearsals in Strathpeffer

Eric de Witt
Cellist Eric de Witt says 'Hello!'

In Thurso, 9th July was the date

On which I ran onto the stage, almost late!

Does all this vehicular travel anyone else discombobulate?!

On my way through the Highlands…

Thurso
Rainy day in Thurso

Thurso rehearsal
The rehearsal in Thurso High School

Ann selling CDs in Thurso
SCO Marketing Director Ann sells CDs

 

Some trouble getting petrol on the road…

Luckily we met SCOers by the carload.

In the concert Lise was by midges swallowed!

But we all came back from Kingussie!

Petrol Station
Is this a petrol station?

Grazing cows
Posing for the photoshoot

Duncansby Head
Sightseeing opportunity at Duncansby Head

And lastly, a trip to Bavaria,

To King Ludwig II’s palatial area.

It was scarily hot but then scarier:

We brought with us…a torrential downpour!

In Bavaria
Waiting...

 Chiemsee Ferry
...for the Chiemsee Ferry.

Cello with arms
Cello with arms

Chiemsee Ferry view
View from the ferry

Su-a Lee
Cellist Su-a Lee celebrated her birthday

Herrienchiemsee Palace
The concert hall in Herrenchiemsee Palace

 

My very first SCO tour

Was certainly not a bore.

I am longing for many more,

On my way back to get some sleep…zzzzz

 

Photos © Sijie Chen, Ann Monfries

 

More photos from the Herrenchiemsee performance can be found here