Blog

Ask me how do I feel...

Here we are in Edinburgh, with the snow falling thickly, and we have finally launched our new principal conductor.   After his first week of Highland concerts with us in the summer of 2008, we’ve all been waiting impatiently for this new musical journey to begin.  It’s a rare thing for an orchestra to be unanimous in its reaction to a conductor – but for everyone at SCO, it’s been full steam ahead since we first met Robin.

Working with Joan Enric Lluna

On Tuesday evening, the SCO Winds (plus a rogue cello!) performed in the Orchestra's CL@SIX series with director and clarinettist Joan Enric Lluna. The programme featured Dvorák's Wind Serenade and Strauss' Suite in B-flat Op 4.

Music Factory 09 - November update

After the huge success of our Masterworks performance week and visits to schools, there's no rest for the wicked. Our composition project 'Music Factory' is the next stage for Advanced Higher Music pupils from the 6 participating Local Authorities. Stephen Deazley is working with Fife, Edinburgh, East Ayrshire and South Ayrshire and Alasdair Nicolson is leading workshops in Moray and Aberdeenshire. These composers have both begun this 4 month composition project with 16 pupils coming together in each Local Authority, working closely with a trio of SCO players at each session.

BAFTA Scotland

On Sunday 8th Nov SCO Education went to the BAFTAS! Our project The Lost Book was nominated for a BAFTA Scotland Award in the Interactive category. It was a fabulously glitzy evening hosted by the Glasgow Science Centre and presented by none other than Lorraine Kelly. She had to jump in a car as soon as the awards were over to get to London in time for her show the next morning – now that‘s dedication.

'We're on stage to make music not money.'

Rosenna Herald picture

As a professional violinist, the question I am asked most often by audience members is, “Do you watch the conductor?  What do they actually do?”  Like all good questions, there is no straight answer – and that’s not just because I am concerned my career might come to an abrupt end if I say the wrong thing.

New website with integrated blog

The SCO blog is now integrated within the Orchestra's new website at www.sco.org.uk. The dynamic design and layout of the new site makes it much easier to navigate, so you can quickly find out what concerts and events are coming up, or catch up on all the latest news in the blog. Many concert listings now have related audio clips, where SCO recordings exist, letting you hear a snippet of a piece before you buy tickets or attend the concert.

Masterworks week 2009

That's our Masterworks performance week wrapped up, and what a week it was. James MacMillan's Tryst certainly got a good outing with the orchestra, just check out the reviews! We kicked off on Monday in Edinburgh with a public performance at the Queen's Hall. Paul Rissmann was on form with his fabulously slick presentation, demonstrating extracts from the work with the orchestra led by James Lowe.

Masterworks: a player's perspective from the audience

How lovely to be able to bask in the glory of being part of the SCO, without actually having to do the hard work. On Monday night I went along to hear my colleagues play MacMillan’s Tryst, presented by Paul Rissmann.

Masterworks 09

We'll we've just wrapped up 2 hectic weeks of Masterworks Player visits to schools all over Scotland. We've been to 38 schools, have seen 890 pupils and delivered 47 sessions - whew! SCO players Peter Franks, Adrian Bornet, Lorna McLaren, Alison Green, Alison Mitchell, Harry Johnstone and Aisling O'Dea have travelled from Doon Academy in Dalmellington right up to Fraserburgh Academy visiting the schools in pairs.

The ultimate fireworks music

Handel would have been proud on Sunday; the SCO brought the Edinburgh International Festival to a close with a fabulously zingy performance of Handel's Music for the Royal Fireworks, Zadok the Priest, the Arrival of the Queen of Sheba and the Hallelujah Chorus.

The SCO Chorus were mick-ed up like pop stars although I'm sure proper pop stars don't normally wear as many layers of clothing, even for outdoor gigs! The Orchestra had their clothes pegs to hold their sheet music in place, in case the wind whisked it all away!